writing
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2025
- Jane and Louise Wilson interview for The New World magazine
- Why 1985 Was A Landmark Year For Reggae for the GRAMMY Awards website
- Edward Burra and Ithell Colquhoun solo exhibitions review for the New York Observer
- The Albums That Shaped Dubstep's First Decade for Discogs
- Kneecap at Rock en Seine review for The New World magazine
- Connecting Thin Black Lines exhibition review for the New York Observer
- Abstract Erotic exhibition review for the New York Observer
- Living In Squares and Loving In Triangles: Drawing Portraits of the Bloomsbury Group for Art UK
- Preserving the Power of Drawing: 25 Years of the Royal Drawing School for Art UK
- The Ska Albums That Defined Jamaica's Music Revolution (1963-1970) for Discogs
- Essential Industrial Records: 1979-1993 for Discogs
- José María Velasco A View of Mexico exhibition review for the New York Observer
- Global Ear: Dhaka article for The Wire
- 25 Years of Tate Turbine Hall Commissions for the New York Observer
- The History of the Motorik Beat in 10 Records for Discogs
- The Essential Albums That Defined 4AD's First Decade for Discogs
- Essential African Albums That Redefined the Electric Guitar for Discogs
- Essential Dub Records: 1973 - 1985 for Discogs
- Drawing St Ives: Modernism and French Rot in 20th Century Cornwall for Art UK
- Essential Dancehall DJ Albums 1973 -1985 for Discogs
- Noah Davis exhibition review for the New York Observer
- Linder: Danger Came Smiling exhibition review for the New York Observer
- The Untold Story of Afghanistan's Medical Warriors for Service95
- Brasil! Brasil! The Birth of Modernism exhibition review for the New York Observer
- Essential Roots Reggae Albums from the 1970s to '80s for Discogs
- Takashi Murakami Japanese Art History à la Takashi Murakami exhibition review for the New York Observer
- Jordan Adetunji interview for the GRAMMYs website
- Sadler's Wells East and the YFX Youth Festival for the New York Observer
- The Great Mughals exhibition review for the New York Observer
2024
- Electric Dreams exhibition review for the New York Observer
- Hew Locke: What Have We Here? exhibition review for the New York Observer
- The National Gallery: NG Stories exhibition review for the New York Observer
- Who Killed the GIF? for City A.M. magazine
- MARY MARY exhibition review for the New York Observer
- Ian Davenport: Playful Experiments With Paint for Art UK
- 15 Essential IDM Albums for Discogs
- Francis Bacon: Human Presence exhibition review for the New York Observer
- Hard Graft at the Wellcome Collection for exhibition review for the New York Observer
- Essential Japanese Jazz Records: 1953 - Present for Discogs
- 30 Years of Metalheadz: A Drum'n'Bass Legacy for Discogs
- Global Para Athletes for Service95
- DOMINION at Damien Hirst's London Gallery exhibition review for the New York Observer
- Colour and Memory In the Work of Howard Hodgkin for Art UK
- Why London's Fourth Plinth Is Worth a Visit for the New York Observer
- The Devastating Effects of the War in Sudan for Service95
- State Feminism and Arab Women for Service95
- Why Salman Rushdie Is Still One of Literature's Important Figures for Service95
- Leon Kossoff: London, Figuration and the Old Masters for Art UK
- Frank Auerbach Charcoal Heads exhibition review for the New York Observer
- Barbara Kruger Thinking of You. I Mean Me. I Mean You exhibition review for the New York Observer
- Sonita Alizadeh interview for Service95
- Who Was Jan Toorop, the Artist Who Inspired Gustav Klimt? for the New York Observer
2023
- Wols and the Tachisme Art Movement for Whitehot magazine
- Beirut album review for Paste magazine
- What is the Metaverse, Exactly? for Service95
- Artist George Wyllie feature for The National
- Anti-LGBTQ+ Legislation in the UAE for The New Internationalist
- Embroidered Tales: The Women Voicing Resistance Through Craftivism for Service95
- Vagabon album review for Paste magazine
- The Ongoing Fight For Inclusivity in Esports for Service95
- The Rise of Literary Censorship for Service95
- naafi interview for The National - July issue
- South Korea's Feminist 4B Movement for Service95
- Federico García Lorca, Flamenco And The Spirit Of Duende for The New Voice
- Ukrainian Artists Find Haven in Scotland for The National
- The Love Hihad Conspiracy Theory for Service95
- The Delgados and the Chemikal Underground record label feature for The National
- Callas and Pasolini: The Diva and the Director for The New European
- Silver Moth album preview for The National
- The Accursed Share exhibition preview / curator interview for The National
- Tiffany Boyle curator interview for The National
- Final Girls for Service95
- Zen and the Art of Antoni Tapies for The New European
- Mark Jenkin interview for The New European
2022
- Belarus Free Theatre: Exiles Theatre of War for The New European
- William Kentridge: SYBIL for The New Voice website
- Moving Images: The Human Rights Watch Film Festivals for Lay It Out magazine
- Tulips, NFTs and Natural Exuberance for Lay It Out magazine
- Mumufication: The KLF and Being In With the Bricks for The National
- Louise Bourgeois: The Woven Child for The New Voice website
- NFTs, Post-internet Art, and Why Constant Dullaart Buys Fake Social Media Followers for the CLOT website
- Ivo von Hove Interview for The New European
- The Return of Belle and Sebastian for The National
- Gentle Sinners interview for The National
- Clare Grogan: The Return of the Queen of Pop for The National
- Lucian Freud's Male Gaze for the Reaction website
- Caravaggio: The Man Who Invented Cinema for The New European
- Soheila Sokhanvari & Women's Rights in Iran for Service95
- Jan Švankmajer: The Czech Curiosity Shop for The New European
- Matthew Arthur Williams interview for The National
2021
- Hogarth & Europe - Tate exhibition curator interview for The New European
- Singing Wells - East African music article for Songlines
- Shilpa Gupta In Conversation for the FLUX website
- Experimental Words: Where Poetry Meets Science for the CLOT website
- Is the Protest Song Dead? for The New European
- What's It Like To Own a Bansky? for The New European
2018
- guest editor for the month of April for The Sampler (UK Arts Council-backed new music website)
2016
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- Bringing the Noise: The Early Days of Sound Art in the UAE - Contemporary Practices magazine article - Spring/Summer issue
- A Tale of Two Cities: The Dubai and Abu Dhabi Art Scenes - Contemporary Practices magazine article - Spring/Summer issue
- Sara Al Haddad artist interview/profile (Sara Al Haddad - Into Orbit) Harpers Bazaar Art Arabia magazine - Spring issue
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2015
- Edward Sutcliffe artist interview/profile (Copying and the Compton Cricket Club) - Harper’s Bazaar Art Arabia magazine - Sept issue
- UAE: Unlimited Arab Exploration: group art exhibition in Dubai curated by Mohammed Kazem and Cristiani de Marchi - Forward Voice and the Potency of Art: exhibition catalogue essay
2014
- Giorgio Moroder’s Pyramid: group art exhibition in Dubai - exhibition catalogue essay
- Artist profile: Cristiana de Marchi - Contemporary Practices magazine - Spring issue
- peace in an open space: group art exhibition in Dubai - exhibition catalogue essay
2013
- Sound art article (Vipralambha: Union Through Separation) - Guernica website - July
- Arcadia Blank artist interview/profile (The Medium and the Message) - Harper’s Bazaar Art Arabia magazine - Summer issue
- Tectonic: The Moving Museum – Dubai group exhibition review - Harper’s Bazaar Art Arabia magazine - Spring issue
- Sara Al Haddad artist interview/profile (Sara Al Haddad: Artist In Progress) - Harper’s Bazaar Art Arabia magazine - Winter issue
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2012
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- Sound art in the UAE article (Renegade Soundwaves) - Harper’s Bazaar Art Arabia magazine - Winter issue
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1995 – 2010
- Articles and reviews for bbc.co.uk, The Face, TOUCH and Blues & Soul.